
The book begins in first-person
format, and opens with the compelling line: “Here come shit.”
Philida, who has walked many
miles from the property of her owners, must confront an unhelpful public
servant ‘with deep furrows in his forehead, like a badly ploughed wheat field,
and a nose like a sweet potato grown past itself’ with her complaint of rape by
Francois, the son of her master.
She had decided to lay the
complaint, having borne four children to Francois, because he has reneged on
his continual promise to buy her freedom – he is to marry a white woman, and
Philida and her children are to be sold to a distant landowner to avoid any
‘offence’ to the wife.
Here come shit, indeed – the reaction of the
Brink family to the sheer audacity of a slave’s action in lodging such a
report, and Philida’s own feelings about the white man she is clearly quite
fond of, make compelling and often cringe-inducing reading.
The story follows the gritty
fight for her children’s future amid the insecurity of everyone’s struggle to
find a new life, and Philida’s physical and emotional journey away from her
familiar life is well worth following.
Helen
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