Strangers on a Train ~ Patricia Highsmith

Architect Guy Haines has the ability to achieve anything he wants in life – a successful career, a fantastic home, and a beautiful new wife……. but all this changes on the day he catches a train to Metcalf to talk to his estranged wife about a divorce.

On the train Haines is subjected to a very uncomfortable conversation with the wealthy but bored Charles Bruno, though when Haines reaches his destination he has pretty much dismissed Bruno as a harmless crackpot.  But Bruno sees this fortuitous meeting as the start of a very beautiful friendship ~ one that will come at great cost.

Bruno believes that he has the idea for a perfect crime, one that attaches no motive to the perpetrators, and which will secure each of their futures.  But Bruno’s careful planning doesn’t account for Haines having a conscience and the fact that there will be others who are determined to get to the truth.

Highsmith had me on tender hooks throughout this novel.  Her characterisations were excellent, I detested the smarmy alcoholic Charles Bruno and felt all of the emotions attributed to Haines.  The nightmare world that she portrays is unshakeable as is the persistent Bruno.  Living out his fantasies Bruno drags Guy, a once honest man, down into hell without the strength of character to make it back in one piece.

I did this one as a ‘buddy read’ with a couple of readers who I have connected with on Twitter.  All three of us felt the high anxiety of the storyline, and once we had finished we agreed that we needed something calming to read afterwards!

Hitchcock made a movie by the same name, but he detracted from the novel considerably and it is extremely dated by today’s standards.

Read by Maxine

Don’t Look Now by Daphne Du Maurier

Am I the only person alive who didn’t know that Daphne Du Maurier wrote ‘ Don’t Look Now’ (the basis of the superlatively brilliant movie with Donald Sutherland) and ‘The Birds’ (which was turned into the great Alfred Hitchcock movie)??  

‘Don’t Look Now’ is a collection of Du Maurier’s short stories and is absolutely entrancing. It contains some of the most compelling and creepy short stories you are likely to come across. One review comments, ‘That whooshing sound you hear is your mind being sucked into the brilliant black depths of Daphne du Maurier’s Gothic imagination, the instant you begin reading the eponymous first story in Don’t Look Now….’  

The book plays on our worst nightmares – an encounter with psychic sisters and a small, dead child appearing in the streets of Venice; a strange and sinister change in the weather and the behaviour of the birds that you’ve been watching all your life; a woman emerging from eye surgery to discover that her new eyes allow her to see people as they really are – or do they?; a dalliance with a beautiful stranger offers something more sinister than the prospect of a broken heart.  

These stories show Du Maurier as an astute student of human behaviour and physchology, with a keen eye for what sends that small chill up your spine and a brilliant purveyor of the stories that keep lurking at the back of your mind long after you have put the book down.

 

Di